Rather than simply exist as a pristine experiment in geometry, Storefront has become a part of its community, a canvas that bears the history of its past as tattooed layers upon its surface. It is a dimensional projection of the passage of time. This work seeks to use very simple media to illustrate an elevation detail that wears the marks of grime, dings, graffiti, past signage, and erasure as emblems of the building’s history.

 

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